‘Corpo all’infinito’ is an investigation on the female body that develops along the lines of the performance ‘Domina’ by  Rebecca Mari and Gaia Michela Russo, using a different paradigm: two bodies, one dressed that represents the stereotype, the impossibility of being free and disconnected from sexuality and a naked one who becomes a body indefinitely, free from social cages.
The two bodies represent the two parts of the female body, which often cannot simply be a body, which must bear all the weight that the term "female" contains. Both parts of this body try to overwhelm each other, giving rise to an endless struggle but reminding each part of the other's existence.